Entrevero

Desafio Expresivo

Javier Alfonso Delgadillo Molano — 2022-08-10

Se establece esa relación existen entre educación y cultura a través de las posibilidades que presenta el arte en la escuela, la cual esta implícita desde aquellos procesos formativos y sociales que son propios de la acción artística y de las posibilidades que nos da la educabilidad en el sujeto al ser un importante interprete según los cánones del artista. Quien establece las opciones de lo individual que tiene bastante incidencia en las acciones sociales y comunitarias mediante la expresión simbólica determinado como producto artístico de los lenguajes expresivos del arte, los cuales inciden en la consolidación de los hechos y desafíos culturales, que instaura desde aquellas experiencias y vivencias que reconoce unas variables violentas en las comunidades para su estudio y reformulación estética.

A Metamorfose de Kafka e A memetamorfose presidencial

Rafael Schmitt — 2022-08-10

This research is a comparison between two mirrored incidents separated in time and space. The first is Kafka's Metamorphosis, which produced a Gregor Samsa transformed into a monstrous insect in the plague of 1912. The second event of 2020 is the warning from the president of Brazil, that if vaccinated against the plague of covid, Brazilians could turn into alligators. In this comparative analysis, literature and meme converge and we discuss the realism of one and the fantastic realism of the other. We analyze the short circuit in these two catastrophes from the perspective of humor, its impacts and its capacity for anti-authoritarian transformation.

"Above the Water": Immersion and Flotation in Become Ocean and "Skywoman Falling"

Xavier Blackwell-Lipkind — 2022-08-10

This article deploys the concepts of “immersion” and “flotation” in order to examine the representations of human-water relationships in Become Ocean, an orchestral composition by John Luther Adams, and “Skywoman Falling,” the inaugural essay in Robin Wall Kimmerer’s collection Braiding Sweetgrass. I propose that both works imagine the sea as a space of reconciliation between the human and the natural. But while “Skywoman Falling” presents an aquatic creation story, Become Ocean takes the form of an apocalyptic warning about “polar ice” and “sea level[s],” raising questions about how the changing climate inflects artistic production. Taken together, the works gesture toward a sort of crude human-nature — or human-ocean — cycle in which humans continually approach and distance themselves from the natural world.

Intersecção entre ciência e arte

Cristiano José Steinmetz — 2022-08-10

O presente estudo busca demonstrar em linhas gerais a articulação teórica que György Lukács estabelece entre os conceitos de antropomorfização, desantropomorfização, imanência e transcendência a fim de compreender seus nexos e limites teóricos à luz de outro paradigma teórico, a saber, da nova crítica do valor-dissociação. Pretende-se, deste modo, não misturar ambos paradigmas teóricos, mas ressaltar algumas de suas divergências epistêmicas. Assim, pretende-se investigar, ainda que de maneira incipiente, o campo de desenvolvimento histórico das objetivações sociais superiores, designadamente, da ciência e da arte nas questões relativas à tese de Robert Kurz (2010) sobre a história da humanidade como a “história das relações de fetiche”.

As três senhoras de um comedor de ópio

Fabio Eduardo Grünewald Soares — 2022-08-10

The present article seeks to discuss the importance of the work Levana and Our Ladies of Sorrow, by Thomas de Quincey, part of the essays that make up the work Suspiria de Profundis, published in 1845. For this we proceed to a brief description of the author, and then focus on the content of the essay. At the end, the influence of the text on the film trilogy by Dario Argento, called the trilogy of Mothers, is analyzed.